Showing posts with label emotions. Show all posts
Showing posts with label emotions. Show all posts

Thursday, November 21, 2013

Discouragement in Writers

The days are getting short and cold here in New Hampshire, and that's got me thinking about moods. I've known some people with Seasonal Affective Disorder (SAD). Apparently people who suffer from this become depressed if they don't see enough sunlight. The treatment seems to be to get away from me - they move far away to some place I've never been, like Arizona, and feel much better.

We writers, of course, tend to be very moody people. Not all of us have a disorder like SAD, but I think most of us have times when we get very discouraged for one reason or another. In a tough world economy, people tend to feel like art of any type is unimportant, and it's hard to take an objective look at your own work and know if it's any good or not. Add to that the fact that writing tends to be a rather solitary job, and compound it with the reality that most of us are at least a little bit reclusive, and you've got a fertile environment for discouragement.

I'm not here to dole out some kind of cure, or try to make you feel guilty if you're discouraged. I have to admit that I don't even know whether your writing is any good or not. But if you're feeling discouraged, I can tell you I've been there. And I'll probably be there again, since moods tend to go in cycles.

Right now I'm feeling energized and seeing nothing but possibilities. So since I seem to be the one standing on a rock at the moment, I'd like to offer a hand to anyone struggling in the mud. Another day it will be my turn to slog through the mud, and someone else's turn to reach out a hand to me.

Here are some thoughts that have helped me when I've been discouraged:

  • All the great writers were once just ordinary people who wrote something without knowing if anyone was going to like it or not. Probably every single one of them got discouraged sometimes, and if they had quit, the world would be without so much great literature.
  • Easy writing is like airplane crashes. It happens so rarely that when it does, we remember it. The vast majority of flights are uneventful and the vast majority of writing takes work. It's extremely rewarding work, but it's sometimes hard. Because of that, I have a right to feel proud of what I've written. If it were easy, it would be like turning on a water faucet. The water may be delicious, but I can't take the credit.
  • Feelings and facts are two different things. They're both real, and they're both important. If I feel discouraged or lonely, or just don't feel anything at all, then that's my reality at the moment. But those feelings don't necessarily line up with any facts. If I feel discouraged, that doesn't mean my work isn't worth something. If I feel lonely, that doesn't mean I'm alone. And if I don't feel anything, that doesn't mean there isn't still a lot of great stuff in my future.
  • I don't have to follow someone else's rules. One of the most wonderful things about creative writing is that each author's work is unique. That's because it's an expression of a unique individual, produced in a unique way. But when I see what works for another writer (wordcount quotas, for example), I'm tempted to feel like I'm not a 'real' writer unless I do it, too. Trying to fit into someone else's mold can be extremely discouraging. I think it's important to find what works for your own unique style and situation, and not worry about the rest.

Thursday, February 21, 2013

The Emotobooks Revolution

I've been seeing mentions lately on Twitter about something called 'Emotobooks' and 'the Emotobooks revolution.' Sounded intriguing, so I thought I'd check it out.

Emotobooks are a product line of Grit City Publications, who have this to say about them:

Photo: 2bp.blogspot.com
The term Emotobook was conceived by GCP founder, Ron Gavalik, in 2011 to label our first exclusive tablet fiction medium, which heightens emotional awareness in stories. Emotobooks have a unique style and structure, unlike any other fiction. Abstract, emotionally provocative illustrations are tied into each story to depict what characters feel during moments of emotional consequence. These expressive elements provide a cerebral and visual stimulation, which enhances the impact of the experience. GCP illustrators and editors use ePublishing technology to inject visualized emotions inside Emotobooks to immerse the mind in each story.
Hmm, okay. Can I see an example?
From Swing Zone #3: There were bodies left in the soldiers' wake, littering the beach. Mia sucked in her breath and rushed to kneel in front of the television, replaying it in slow-mo as she put her hands to the glass, trying to see their faces. She bit her lip, feeling overwhelmed with apprehension. What if he was one of them? What if that's why he didn't show up? Tormented by that uncertainty, her brain flooded with turbulent emotions. As hard as she had fallen for him, it was more than just upsetting – it was terrifying. She took a few large gulps of air, forcing herself to breathe. Her hand clutched tightly over her heart, praying he wasn't part of it. Desperately, she ran her eyes over each and every body.
She could see some of their faces, but their features all seemed blurred. The rest of the rebels were shown in the distance, always completely obscured. Pulling up some of the older reports, she observed the same thing in all of them. Coltis said she couldn't believe everything that she was seeing, and now she had to wonder. She narrowed her eyes as they showed a close up of the Freedale soldiers, noting once again, it was her brother's division.
This sample doesn't make me want to read Swing Zone #3. "Her brain flooded with turbulent emotions. ...it was more than just upsetting - it was terrifying." I can't help but wonder, if Emotobooks are so effective at communicating emotion, then why did I need to have the emotions introduced and named for me?

I looked up another emotion book I think I'd like much better: The Emotion Thesaurus: A Writer's Guide to Character Expression by Angela Ackerman and Becca Puglisi. Their plug:
One of the biggest problem areas for writers is conveying a character's emotions to the reader in a unique, compelling way. This book comes to the rescue by highlighting 75 emotions and listing the possible body language cues, thoughts, and visceral responses for each. Using its easy-to-navigate list format, readers can draw inspiration from character cues that range in intensity to match any emotional moment. The Emotion Thesaurus also tackles common emotion-related writing problems and provides methods to overcome them. This writing tool encourages writers to show, not tell emotion and is a creative brainstorming resource for any fiction project.
"Show, not tell," now I like that much better.